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  3. No. 7 (2022): Archival Research and Performance: Perspectives on Twentieth-Century Music

No. 7 (2022): Archival Research and Performance: Perspectives on Twentieth-Century Music

					View No. 7 (2022): Archival Research and Performance: Perspectives on Twentieth-Century Music
Edited by Alessandro Cecchi and Ingrid Pustijanac            
Published: 2023-06-30
  • Introduction

    Alessandro Cecchi, Ingrid Pustijanac
    • PDF

Articles

  • «Aus dem Nachlaß»: Sedimentation in Mauricio Kagel’s «Tactil» and «Unter Strom»

    Luk Vaes
    • PDF
  • Altering «A(lter)A(ction)»? Egisto Macchi Then and Now

    Marco Cosci
    • PDF
  • Constança Capdeville’s Personal Archive: Difficulties in Describing and Documenting Performative Practices

    Filipa Magalhães
    • PDF
  • «Suite “colori”» by Mario Bertoncini: From Performance to Archival Research

    Luisa Santacesaria, Valentina Bertolani
    • PDF
  • Fingers to Sounds, Sounds to Fingers: Creative Interaction with Giacinto Scelsi’s Archival Materials as Means to Devise Performance Practices of His Music

    Marco Fusi
    • PDF
  • On the Horizon of Digital Technics in Kaija Saariaho’s «IO» and «Nymphéa»

    Landon Morrison
    • PDF

Documents and Reports

  • «Research-led Performance»: Report on an Ongoing Project

    Gianmario Borio
    • PDF
  • Ctrl+s | Conversations on the survival of electronic music

    Luisa Santacesaria, Giulia Sarno
    • PDF

Perspectives

  • ‘E la mente annullata naufraga nel vento’: A New Appraisal of Giacomo Manzoni’s «Parole da Beckett» from the Perspective of a Conductor

    Marco Angius
    • PDF

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