No. 3 (2018)

• Preface

  Editorial Team

  I-II

  • PDF

Articles

• From Paris to Rome. Alfredo Casella and Béla Bartók in the Early Twentieth Century

  Nicolò Palazzetti

  1-22

  • PDF

• Igor Stravinsky by Way of Alfredo Casella and Gian Francesco Malipiero

  Federica Di Gasbarro

  23-45

  • PDF

• Character and Form by Way of Integral Serialism: An Analysis of Fantasia concertante (1957) by Camillo Togni

  Christoph Neidhöfer

  47-79

  • PDF

• 'The Sound of Industry'. Some Reflections on the Genesis and the Content of Diagramma Circolare by Alberto Bruni Tedeschi

  Marida Rizzuti

  81-96

  • PDF

• Egisto Macchi and Antonin Artaud: from A(lter)A(ction) to München-Requiem and Beyond

  Elena Salza

  97-118

  • PDF

• Spectral Morphology and Space in Fausto Romitelli’s Natura morta con fiamme

  Ingrid Pustijanac

  119-135

  • PDF

Focus

• Music Archives in the Twenty-First Century: The Challenges of Politics and Technology

  Gianmario Borio

  137-145

  • PDF

• 'The Darmstadt Events'. Archival Strategies, Music-Historical Work and Cultural-Political Research Perspectives on the Development of the Digital Archive

  Dörte Schmidt

  147-157

  • PDF

Documents and Reports

• Publications and Activities

  Angela Carone

  159-165

  • PDF