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  3. No. 3 (2018)

No. 3 (2018)

					View No. 3 (2018)
Published: 2018-10-15
  • Preface

    Editorial Team
    I-II
    • PDF

Articles

  • From Paris to Rome. Alfredo Casella and Béla Bartók in the Early Twentieth Century

    Nicolò Palazzetti
    1-22
    • PDF
  • Igor Stravinsky by Way of Alfredo Casella and Gian Francesco Malipiero

    Federica Di Gasbarro
    23-45
    • PDF
  • Character and Form by Way of Integral Serialism: An Analysis of Fantasia concertante (1957) by Camillo Togni

    Christoph Neidhöfer
    47-79
    • PDF
  • 'The Sound of Industry'. Some Reflections on the Genesis and the Content of Diagramma Circolare by Alberto Bruni Tedeschi

    Marida Rizzuti
    81-96
    • PDF
  • Egisto Macchi and Antonin Artaud: from A(lter)A(ction) to München-Requiem and Beyond

    Elena Salza
    97-118
    • PDF
  • Spectral Morphology and Space in Fausto Romitelli’s Natura morta con fiamme

    Ingrid Pustijanac
    119-135
    • PDF

Focus

  • Music Archives in the Twenty-First Century: The Challenges of Politics and Technology

    Gianmario Borio
    137-145
    • PDF
  • 'The Darmstadt Events'. Archival Strategies, Music-Historical Work and Cultural-Political Research Perspectives on the Development of the Digital Archive

    Dörte Schmidt
    147-157
    • PDF

Documents and Reports

  • Publications and Activities

    Angela Carone
    159-165
    • PDF

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