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No. 3 (2018)
No. 3 (2018)
Published:
2018-10-15
Preface
Editorial Team
I-II
PDF
Articles
From Paris to Rome. Alfredo Casella and Béla Bartók in the Early Twentieth Century
Nicolò Palazzetti
1-22
PDF
Igor Stravinsky by Way of Alfredo Casella and Gian Francesco Malipiero
Federica Di Gasbarro
23-45
PDF
Character and Form by Way of Integral Serialism: An Analysis of Fantasia concertante (1957) by Camillo Togni
Christoph Neidhöfer
47-79
PDF
'The Sound of Industry'. Some Reflections on the Genesis and the Content of Diagramma Circolare by Alberto Bruni Tedeschi
Marida Rizzuti
81-96
PDF
Egisto Macchi and Antonin Artaud: from A(lter)A(ction) to München-Requiem and Beyond
Elena Salza
97-118
PDF
Spectral Morphology and Space in Fausto Romitelli’s Natura morta con fiamme
Ingrid Pustijanac
119-135
PDF
Focus
Music Archives in the Twenty-First Century: The Challenges of Politics and Technology
Gianmario Borio
137-145
PDF
'The Darmstadt Events'. Archival Strategies, Music-Historical Work and Cultural-Political Research Perspectives on the Development of the Digital Archive
Dörte Schmidt
147-157
PDF
Documents and Reports
Publications and Activities
Angela Carone
159-165
PDF
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