No. 3 (2018)

• Preface

  I-II

  Editorial Team

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Articles

• From Paris to Rome. Alfredo Casella and Béla Bartók in the Early Twentieth Century

  1-22

  Nicolò Palazzetti

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• Igor Stravinsky by Way of Alfredo Casella and Gian Francesco Malipiero

  23-45

  Federica Di Gasbarro

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• Character and Form by Way of Integral Serialism: An Analysis of «Fantasia concertante» (1957) by Camillo Togni

  47-79

  Christoph Neidhöfer

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• 'The Sound of Industry'. Some Reflections on the Genesis and the Content of «Diagramma Circolare» by Alberto Bruni Tedeschi

  81-96

  Marida Rizzuti

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• Egisto Macchi and Antonin Artaud: from «A(lter)A(ction)» to «München-Requiem» and Beyond

  97-118

  Elena Salza

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• Spectral Morphology and Space in Fausto Romitelli's «Natura morta con fiamme»

  119-135

  Ingrid Pustijanac

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Focus

• Music Archives in the Twenty-First Century: The Challenges of Politics and Technology

  137-145

  Gianmario Borio

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• 'The Darmstadt Events'. Archival Strategies, Music-Historical Work and Cultural-Political Research Perspectives on the Development of the Digital Archive

  147-157

  Dörte Schmidt

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Documents and Reports

• Publications and Activities

  159-165

  Angela Carone

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