No. 9 (2024): Musical Neoclassicism in Europe

• Introduction

  I-XXI

  Valérie Dufour, Massimiliano Locanto

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Articles

• Béla Bartók’s Turn to Neoclassicism in Light of His Social Commitment: Some Evidence from Archival Sources

  1-20

  László Vikárius

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• Music Expectations in Soviet Russia: Tradition, Avant-Garde, and Legitimacy in the Soviet Public Press

  21-48

  Anna Giust

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• Tracing ‘Neoclassicism’ in Norway: A Tentative Conceptual Survey

  49-71

  Arnulf Christian Mattes

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• Neoclassic Objectivism Meets Catholic Ritual: The Musical Philosophy of Joseph Samson

  73-90

  Tadhg Sauvey

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• Franco-German Identity Issues and the Use of the Expression ‘Return to Bach’ in the Interwar French Press

  91-113

  Aurore Flamion

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• Tracing the Neoclassical Casella: Compositional Projects, Models, Ideologies

  115-143

  Francesco Fontanelli

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• Neoclassicism, Nationalism and Modernism in the Spanish Reception of Manuel de Falla’s Works (1915–1939): Hemerography and Archival Sources

  145-170

  Ruth Piquer Sanclemente

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