No. 7 (2022): Archival Research and Performance: Perspectives on Twentieth-Century Music

• Introduction

  Alessandro Cecchi, Ingrid Pustijanac

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Articles

• «Aus dem Nachlaß»: Sedimentation in Mauricio Kagel’s «Tactil» and «Unter Strom»

  Luk Vaes

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• Altering «A(lter)A(ction)»? Egisto Macchi Then and Now

  Marco Cosci

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• Constança Capdeville’s Personal Archive: Difficulties in Describing and Documenting Performative Practices

  Filipa Magalhães

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• «Suite “colori”» by Mario Bertoncini: From Performance to Archival Research

  Luisa Santacesaria, Valentina Bertolani

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• Fingers to Sounds, Sounds to Fingers: Creative Interaction with Giacinto Scelsi’s Archival Materials as Means to Devise Performance Practices of His Music

  Marco Fusi

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• On the Horizon of Digital Technics in Kaija Saariaho’s «IO» and «Nymphéa»

  Landon Morrison

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Perspectives

• ‘E la mente annullata naufraga nel vento’: A New Appraisal of Giacomo Manzoni’s «Parole da Beckett» from the Perspective of a Conductor

  Marco Angius

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Documents and Reports

• «Research-led Performance»: Report on an Ongoing Project

  Gianmario Borio

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• Ctrl+s | Conversations on the survival of electronic music

  Luisa Santacesaria, Giulia Sarno

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