“Malipiero Germanised“ Traces of Cultural Usurpation in Nazi Germany

Authors

  • Tobias Reichard University of Hamburg, Institute of Music History

Keywords:

Gian Francisco Malipiero, Germany, Reception

Abstract

Based on archival sources from the Fondo Gian Francesco Malipiero at the Fondazione Cini, Venezia, this essay wants to demonstrate how Malipiero fit into German musical thought in the 1930s and 1940s.

Author Biography

Tobias Reichard, University of Hamburg, Institute of Music History

Tobias Reichard is a Research Assistant (Ph.D. Candidate).

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Published

2017-10-23

Issue

Section

Articles