Browse Title Index


 
Issue Title
 
No 3 (2018) 'The Darmstadt Events'. Archival Strategies, Music-Historical Work and Cultural-Political Research Perspectives on the Development of the Digital Archive Details   PDF
Dörte Schmidt
 
No 3 (2018) 'The Sound of Industry'. Some Reflections on the Genesis and the Content of Diagramma Circolare by Alberto Bruni Tedeschi Abstract   PDF
Marida Rizzuti
 
No 2 (2017) ‘Malipiero Germanised’ – Traces of Cultural Usurpation in Nazi Germany Abstract   PDF
Tobias Reichard
 
No 1 (2016): Musicians’ Correspondence and Interaction between Archives Accessing Luigi Nono’s Correspondence: a User’s Perspective Abstract   PDF
Paolo Dal Molin
 
No 2 (2017) Alfredo Casella and Giovanni Salviucci. The Story of a Friendship Told Through Archival Documents Abstract   PDF
Angela Carone
 
No 2 (2017) An Attempt at Creating Total Theatre: Scene del potere by Domenico Guaccero Abstract   PDF
Simone Caputo
 
No 2 (2017) Aurél Milloss's and Nino Rota's Rappresentazione d’Adamo ed Eva: Archival Documents Abstract   PDF
Paolo Valenti
 
No 1 (2016): Musicians’ Correspondence and Interaction between Archives Béla Bartók’s Correspondence Abstract   PDF
László Vikárius
 
No 3 (2018) Character and Form by Way of Integral Serialism: An Analysis of Fantasia concertante (1957) by Camillo Togni Abstract   PDF
Christoph Neidhöfer
 
No 1 (2016): Musicians’ Correspondence and Interaction between Archives Correspondences in the Musical Archives of the Fondazione Giorgio Cini Abstract   PDF
Angela Carone, Francisco Rocca
 
No 1 (2016): Musicians’ Correspondence and Interaction between Archives Dear Giacinto: Letters from the Multimedia Archive of the Fondazione Isabella Scelsi Abstract   PDF
Alessandra Carlotta Pellegrini
 
No 1 (2016): Musicians’ Correspondence and Interaction between Archives Debussy’s Letters: Recipients, Current Locations, Current Concerns Abstract   PDF
Denis Herlin
 
No 3 (2018) Egisto Macchi and Antonin Artaud: from A(lter)A(ction) to München-Requiem and Beyond Abstract   PDF
Elena Salza
 
No 3 (2018) From Paris to Rome. Alfredo Casella and Béla Bartók in the Early Twentieth Century Abstract   PDF
Nicolò Palazzetti
 
No 2 (2017) Hermeneutics and Creative Process: Roman Vlad’s Reception of Stravinsky Abstract   PDF
Susanna Pasticci
 
No 3 (2018) Igor Stravinsky by Way of Alfredo Casella and Gian Francesco Malipiero Abstract   PDF
Federica Di Gasbarro
 
No 1 (2016): Musicians’ Correspondence and Interaction between Archives Introduction Details   PDF
Paolo Dal Molin
 
No 1 (2016): Musicians’ Correspondence and Interaction between Archives Letters in the Archives of Polish Composers at the University of Warsaw Library Abstract   PDF
Piotr Maculewicz
 
No 1 (2016): Musicians’ Correspondence and Interaction between Archives Letters within a Comprehensive Research Tool: Archive Digitisation at the Internationales Musikinstitut Darmstadt Abstract   PDF
Sylvia Freydank
 
No 3 (2018) Music Archives in the Twenty-First Century: The Challenges of Politics and Technology Details   PDF
Gianmario Borio
 
No 1 (2016): Musicians’ Correspondence and Interaction between Archives Musicians’ Correspondence and Interaction Between Archives: Remarks from a Canadian Perspective Abstract   PDF
Friedemann Sallis, Regina Landwehr
 
No 1 (2016): Musicians’ Correspondence and Interaction between Archives Musicians’ Correspondence in Zagreb: the Case of Blagoje Bersa Abstract   PDF
Nada Bezić
 
No 2 (2017) Opera or ballet? Ottorino Respighi vs. Sergei Diaghilev: a Study of the Sources for La boutique fantasque, Le astuzie femminili, La serva padrona Abstract   PDF
Elia Andrea Corazza
 
No 1 (2016): Musicians’ Correspondence and Interaction between Archives Preface Details   PDF
Gianmario Borio
 
No 3 (2018) Preface Details   PDF
Editorial Team
 
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