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Archival Notes No. 6 (2021) - Articles
Echoes of Folk Music in Roman Vlad's Documentary Soundtracks: Intersections between Cinema, Ethnomusicology and Exoticism
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Archival Notes No. 6 (2021) - Documents and Reports
A Musical Notebook by Alfredo Casella: «Quaderno 9» (1924-1926)
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Archival Notes No. 6 (2021) - Focus
Systematising (at) the Present for the Future: Reflections on Archiving Electroacoustic Music
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Archival Notes No. 6 (2021) - Focus
The Electroacoustic Music Archives at the Fondazione Giorgio Cini: A Review of the Camillo Togni, Fausto Romitelli and Giacomo Manzoni Collections
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Archival Notes No. 6 (2021) - Documents and Reports
Publications and Activities
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Archival Notes No. 1 (2016): Musicians' Correspondence and Interaction between Archives - Publishing Composers' Letters
The Correspondence between Arnold Schoenberg and Universal Edition
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Archival Notes No. 7 (2022): Archival Research and Performance: Perspectives on Twentieth-Century Music - Articles
«Aus dem Nachlaß»: Sedimentation in Mauricio Kagel’s «Tactil» and «Unter Strom»
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Archival Notes No. 1 (2016): Musicians' Correspondence and Interaction between Archives - Publishing Composers' Letters
The Berg-Schoenberg Correspondence: Background, Archival Conditions, and Editorial Practice
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Archival Notes No. 7 (2022): Archival Research and Performance: Perspectives on Twentieth-Century Music - Articles
Altering «A(lter)A(ction)»? Egisto Macchi Then and Now
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Archival Notes No. 1 (2016): Musicians' Correspondence and Interaction between Archives - Publishing Composers' Letters
Béla Bartók's Correspondence
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Archival Notes No. 7 (2022): Archival Research and Performance: Perspectives on Twentieth-Century Music - Articles
Constança Capdeville’s Personal Archive: Difficulties in Describing and Documenting Performative Practices
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Archival Notes No. 1 (2016): Musicians' Correspondence and Interaction between Archives - Publishing Composers' Letters
Some Experiences in Editing 'the Body of Thoughts' of Lachenmann, Maderna, Mila and Nono
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Archival Notes No. 7 (2022): Archival Research and Performance: Perspectives on Twentieth-Century Music - Articles
«Suite “colori”» by Mario Bertoncini: From Performance to Archival Research
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Archival Notes No. 1 (2016): Musicians' Correspondence and Interaction between Archives - Glimpses from the Archives
The Growing Importance of Archives for Performers and Publishers (not just Historians): The Case of the Archivio Storico Ricordi
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Archival Notes No. 1 (2016): Musicians' Correspondence and Interaction between Archives - Glimpses from the Archives
Musicians' Correspondence in Zagreb: the Case of Blagoje Bersa
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Archival Notes No. 7 (2022): Archival Research and Performance: Perspectives on Twentieth-Century Music - Articles
Fingers to Sounds, Sounds to Fingers: Creative Interaction with Giacinto Scelsi’s Archival Materials as Means to Devise Performance Practices of His Music
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Archival Notes No. 1 (2016): Musicians' Correspondence and Interaction between Archives - Glimpses from the Archives
Letters within a Comprehensive Research Tool: Archive Digitisation at the Internationales Musikinstitut Darmstadt
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Archival Notes No. 7 (2022): Archival Research and Performance: Perspectives on Twentieth-Century Music - Articles
On the Horizon of Digital Technics in Kaija Saariaho’s «IO» and «Nymphéa»
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Archival Notes No. 7 (2022): Archival Research and Performance: Perspectives on Twentieth-Century Music - Perspectives
‘E la mente annullata naufraga nel vento’: A New Appraisal of Giacomo Manzoni’s «Parole da Beckett» from the Perspective of a Conductor
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Archival Notes No. 1 (2016): Musicians' Correspondence and Interaction between Archives - Perspectives
Musicians' Correspondence and Interaction Between Archives: Remarks from a Canadian Perspective
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Archival Notes No. 7 (2022): Archival Research and Performance: Perspectives on Twentieth-Century Music - Documents and Reports
«Research-led Performance»: Report on an Ongoing Project
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Archival Notes No. 1 (2016): Musicians' Correspondence and Interaction between Archives - Glimpses from the Archives
The Correspondence Collection of the Archivio Storico Ricordi: a Key Component of a Future European Network of Archives
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Archival Notes No. 1 (2016): Musicians' Correspondence and Interaction between Archives - Glimpses from the Archives
Accessing Luigi Nono's Correspondence: a User's Perspective
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Archival Notes No. 1 (2016): Musicians' Correspondence and Interaction between Archives - Glimpses from the Archives
Some Thoughts on the Music Archives Held by the Berlin Akademie der Künste
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Archival Notes No. 1 (2016): Musicians' Correspondence and Interaction between Archives - Glimpses from the Archives
Letters in the Archives of Polish Composers at the University of Warsaw Library
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Archival Notes No. 1 (2016): Musicians' Correspondence and Interaction between Archives - Glimpses from the Archives
Dear Giacinto: Letters from the Multimedia Archive of the Fondazione Isabella Scelsi
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Archival Notes No. 1 (2016): Musicians' Correspondence and Interaction between Archives - Publishing Composers' Letters
Debussy's Letters: Recipients, Current Locations, Current Concerns
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Archival Notes No. 1 (2016): Musicians' Correspondence and Interaction between Archives - Documents and Reports
Publications and Activities
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Archival Notes No. 1 (2016): Musicians' Correspondence and Interaction between Archives - Documents and Reports
The Composer's Mailbox: Documents from the Musical Archives of the Fondazione Cini
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Archival Notes No. 1 (2016): Musicians' Correspondence and Interaction between Archives - Preface/Introduction
Introduction
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Archival Notes No. 2 (2017) - Articles
“Malipiero Germanised“ Traces of Cultural Usurpation in Nazi Germany
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Archival Notes No. 2 (2017) - Articles
Opera or ballet? Ottorino Respighi vs. Sergei Diaghilev: a Study of the Sources for La boutique fantasque, Le astuzie femminili, La serva padrona
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Archival Notes No. 2 (2017) - Articles
An Attempt at Creating Total Theatre: Scene del potere by Domenico Guaccero
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Archival Notes No. 2 (2017) - Articles
Vancini, Macchi and the Voices for the (Hi)story of Bronte
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Archival Notes No. 1 (2016): Musicians' Correspondence and Interaction between Archives - Glimpses from the Archives
Correspondences in the Musical Archives of the Fondazione Giorgio Cini
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Archival Notes No. 2 (2017) - Articles
Hermeneutics and Creative Process: Roman Vlad's Reception of Stravinsky
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Archival Notes No. 2 (2017) - Documents and Reports
Aurél Milloss's and Nino Rota's Rappresentazione d'Adamo ed Eva: Archival Documents
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Archival Notes No. 2 (2017) - Articles
Some Remarks about Serialism in Atomtod by Giacomo Manzoni
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Archival Notes No. 2 (2017) - Articles
Alfredo Casella and Giovanni Salviucci. The Story of a Friendship Told Through Archival Documents
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Archival Notes No. 2 (2017) - Documents and Reports
Publications and Activities
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Archival Notes No. 3 (2018) - Articles
Egisto Macchi and Antonin Artaud: from A(lter)A(ction) to München-Requiem and Beyond
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Archival Notes No. 3 (2018) - Articles
From Paris to Rome. Alfredo Casella and Béla Bartók in the Early Twentieth Century
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Archival Notes No. 3 (2018) - Articles
Character and Form by Way of Integral Serialism: An Analysis of Fantasia concertante (1957) by Camillo Togni
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Archival Notes No. 3 (2018) - Articles
'The Sound of Industry'. Some Reflections on the Genesis and the Content of Diagramma Circolare by Alberto Bruni Tedeschi
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Archival Notes No. 3 (2018) - Articles
Igor Stravinsky by Way of Alfredo Casella and Gian Francesco Malipiero
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Archival Notes No. 4 (2019) - Articles
Electro-acoustic sound quality in instrumental music: Amply 1 by Franco Oppo
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Archival Notes No. 4 (2019) - Documents and Reports
Gian Francesco Malipiero, Esalazioni epurative
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Archival Notes No. 4 (2019) - Articles
Telecoms, spaceship doors and singing animals: La Fantarca and Roman Vlad's electronic music
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Archival Notes No. 3 (2018) - Preface/Introduction
Preface
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Archival Notes No. 3 (2018) - Documents and Reports
Publications and Activities
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Archival Notes No. 3 (2018) - Focus
'The Darmstadt Events'. Archival Strategies, Music-Historical Work and Cultural-Political Research Perspectives on the Development of the Digital Archive
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Archival Notes No. 3 (2018) - Articles
Spectral Morphology and Space in Fausto Romitelli's Natura morta con fiamme
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Archival Notes No. 3 (2018) - Focus
Music Archives in the Twenty-First Century: The Challenges of Politics and Technology
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Archival Notes No. 4 (2019) - Articles
Jan Meyerowitz and Musical Italy
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Archival Notes No. 4 (2019) - Articles
Tre poesie di Montale by Roman Vlad: compositional techniques and text correspondences
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Archival Notes No. 5 (2020) - Articles
Dialectics and Matter in the Aesthetics of Giacomo Manzoni
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Archival Notes No. 5 (2020) - Articles
The Ways to Russia of Alfredo Casella
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Archival Notes No. 5 (2020) - Articles
Financial Aspects in the Correspondence between Respighi and his Publishers
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Archival Notes No. 4 (2019) - Documents and Reports
Publications and Activities
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Archival Notes No. 5 (2020) - Articles
Hacking the Hallucinatory: Investigating Fausto Romitelli's Compositional Process through Sketch Studies of «Professor Bad Trip: Lesson I»
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Archival Notes No. 5 (2020) - A Performer's Eye
'Vibrante, luminoso!' Signs, Language, Sound Research and Musical Invention in Fausto Romitelli's «Solare» for Classical Guitar
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Archival Notes No. 5 (2020) - Focus
The Trevor Jones Archive: Issues in the Establishment and Management of a Film and Television Music Archive
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Archival Notes No. 6 (2021) - Documents and Reports
Andrea Gabrieli for Igor Stravinsky (Venice, 15 April 1971): The Choice of Sandro Dalla Libera
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Archival Notes No. 6 (2021) - Articles
Three 'Meditazioni' by Giovanni Salviucci
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Archival Notes No. 5 (2020) - Focus
The Appraisal of Film Music Sources: the Case of «Rear Window» (Paramount, 1954)
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Archival Notes No. 6 (2021) - Articles
Egisto Macchi's 'Pocket' «La bohème»: Innovation and Tradition in the Reduction of Puccini's Masterpiece
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Archival Notes No. 5 (2020) - Documents and Reports
Publications and Activities
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Archival Notes No. 6 (2021) - Articles
Ernesto Rubin de Cervin: Scenes from his Cultural Biography
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Archival Notes No. 5 (2020) - A Performer's Eye
A Last Version of «Napoli milionaria»: Nino Rota's Revision Process after the Spoleto World Première
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Archival Notes No. 1 (2016): Musicians' Correspondence and Interaction between Archives - Preface/Introduction
Preface
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Archival Notes No. 7 (2022): Archival Research and Performance: Perspectives on Twentieth-Century Music - Preface/Introduction
Introduction
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Archival Notes No. 7 (2022): Archival Research and Performance: Perspectives on Twentieth-Century Music - Documents and Reports
Ctrl+s | Conversations on the survival of electronic music
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