‘Malipiero Germanised’ – Traces of Cultural Usurpation in Nazi Germany

Tobias Reichard

Abstract


Based on archival sources from the Fondo Gian Francesco Malipiero at the Fondazione Cini, Venezia, this essay wants to demonstrate how Malipiero fit into German musical thought in the 1930s and 1940s.

Keywords


Gian Francisco Malipiero; Germany; Reception

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