‘Malipiero Germanised’ – Traces of Cultural Usurpation in Nazi Germany
Authors
Tobias Reichard
University of Hamburg, Institute of Music History
Keywords:
Gian Francisco Malipiero, Germany, Reception
Abstract
Based on archival sources from the Fondo Gian Francesco Malipiero at the Fondazione Cini, Venezia, this essay wants to demonstrate how Malipiero fit into German musical thought in the 1930s and 1940s.
Author Biography
Tobias Reichard, University of Hamburg, Institute of Music History
Tobias Reichard is a Research Assistant (Ph.D. Candidate).
