“Malipiero Germanised“ Traces of Cultural Usurpation in Nazi Germany

Authors

  • Tobias Reichard University of Hamburg, Institute of Music History

Keywords:

Gian Francisco Malipiero, Germany, Reception

Abstract

Based on archival sources from the Fondo Gian Francesco Malipiero at the Fondazione Cini, Venezia, this essay wants to demonstrate how Malipiero fit into German musical thought in the 1930s and 1940s.

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Published

2017-10-24

Issue

No. 2 (2017)

Section

Articles

License

Copyright (c) 2017 Fondazione Giorgio Cini

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.