The Berg–Schoenberg Correspondence: Background, Archival Conditions, and Editorial Practice

Andreas Meyer

Abstract


The edition of the Berg–Schoenberg correspondence in 2007 was a collaborative work undertaken by Juliane Brand, Christopher Hailey and myself. Before discussing its background, archival conditions, and editorial practice, we have to consider the larger enterprise promoted by the Staatliches Institut für Musikforschung (SIM) in Berlin, to which this volume belongs. [...]

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